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An unglazed octagon porcelain body resting among glowing embers and charred wood inside a brick kiln

Craft

Shaped by Time.

Fire, earth, and the hands
that turn them into more
than an object.

Close view of the octagon porcelain body with cobalt-blue floral decals and its side connector

Porcelain / Fire

There’s a reason for the white.

When fired in an oxidizing atmosphere, the clay retains an ivory tone. Oxygen keeps the iron in the clay oxidized, which is why most ceramics take this path: it’s easier to handle, and the results are consistent.

We chose the opposite. A reduction fire, with limited oxygen. Only within this atmosphere can the white porcelain emerge. It also means iron can sometimes surface as small black specks.

Even when these specks do not affect the use of the product, we do not release the more pronounced ones. Our standard is not for selling, but for keeping.

Art / SAKI

Ink becomes porcelain.

SAKI is a Korea-based tattoo artist working across North America and Europe. While shaping his own style, he became captivated by traditional porcelain patterns — an influence that quietly found its way into his work.

We saw what that influence had become, and reached out to him first.

Tattoo artist SAKI at work
SAKI’s work — a cobalt-blue dragon across the arm and chest
SAKI’s work — cranes and clouds across the chest and side
SAKI’s work — a cobalt-blue full-leg piece
A clear 3 mm glass tube lying on a concrete surface in slanting light

Thickness creates time.

Our glass tubes are thicker than standard ones. This is possible because we use high-quality glass imported from Germany.

But raw materials alone do not complete it. In Euljiro — a Seoul neighborhood where Korean artisans gather — the glass is reborn through the hands of skilled craftspeople. Working with thicker glass requires more time and greater expertise, but it creates a material that lasts longer.

Two white porcelain pieces, an upright cylinder and a side module with a blue emblem, on a dark stone block beside a dried branch in a vase

Tolerance / After firing

Even from the same mold, no two are the same.

We shape our ceramics using plaster molds. Yet kiln temperature, humidity, and moisture in the clay make every firing slightly different.

These subtle variations mean not every piece fits another perfectly. Rather than widening our tolerances, we discard what doesn’t meet our standards.

Because we make each piece as a work of craft, not mass production.

The underside of the LUCE × SAKI edition, showing the SAKI signature and its number out of 500
Assembling the glass tube onto the porcelain body by hand, wearing white gloves

Final / Limited 500

A collaboration made to be one of a kind. Only 500 in the world.

Each piece is assembled, inspected, and numbered in order. When you purchase, you will receive a ceramic piece with your unique number.

Our collaboration with SAKI will be produced in a limited edition of only 500 pieces, and then discontinued. We refuse to let the value of this work be diminished by mass production.

We will continue to collaborate with renowned artists, creating timeless objects — the only ones of their kind in today’s market.

Begin the story